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Stars: Herman Yau Natalie Morales, Votes: Light on dialogue but heavy on black-magic mystery, writer/director Lukas Feigelfeld’s fable casts its spell via slow-burn plotting and malevolent imagery, culminating with a kaleidoscopic underwater visual orgy of blood, roots, bone, tendrils, and mutating shapes. Joe Lynch | Nick escapes his criminal past and 2 partners, gets a steady job, a friend at work and marries the sheriff's daughter. Stars: Jesse V. Johnson Terminator: Dark Fate November 1, 2019. | Using revolutionary (and largely effective) de-aging CGI to make his cast appear decades younger, the director’s adaptation of Charles Brandt’s non-fiction book I Heard You Paint Houses recounts the criminal life of Frank Sheeran (Robert De Niro), an enforcer for mafioso Russell Bufalino (Joe Pesci) and close compatriot of Teamsters bigwig Jimmy Hoffa (Pacino), the latter of whom he reportedly executed in 1975. That’s merely the first of many multi-layered ways in which Mallo attempts to reconnect with his past, as flashbacks to his youth alongside his mom (Penélope Cruz), and an encounter with an old flame (Leonardo Sbaraglia), also allow him to rediscover his love of cinema, family and self. Also channeling the spirit of Robert Altman, Brian De Palma, Alfred Hitchcock and Hollywood golden-age classics (set to a Henry Mancini-esque score), Sam’s cine-odyssey is a quest for meaning in an overstuffed pop-culture world. In his debut feature, director Joe Talbot populates Jimmie and Mont’s story with childhood friends and estranged relatives whose presence, or absence, speaks to the story’s underlying strains of cultural-racial-familial disaffection, troubled identity, and longing for home. 85 min Kicking off with a bravura 37-minute single take sequence that charts its characters’ attempts to navigate their monstrous ordeal – all as their director, Higurashi (Takayuki Hamatsu), continues to roll cameras – the film eventually delivers a meta bombshell that totally reconfigures one’s conception of the action at hand. Eddie Murphy regains his superstar mojo in Dolemite is My Name, a raucous biopic fashioned in an Ed Wood and The Disaster Artist mold (from the writers of the former) about Rudy Ray Moore, a clownish wannabe-entertainer who hit it big by playing the profanely rhyming, kung-fu-fighting, ladies-bedding Dolemite. We may earn a commission from these links. Action, Crime, Thriller. A hazy fable that feels caught between Apocalypse Now and Lord of the Flies, Alejandro Landes’ Monos immerses itself in its haunting milieu via images of silhouetted figures set against enormous, encompassing clouds, and sequences of hostility, love and madness. We may be a long way from the ’80s and ’90s heyday of bone-crunching action flicks, but at least we know that any time we occupy the same year with a new John Wick, we’re getting a movie that rivals the best of Schwarzenegger, Stallone, and Chan. Many of these movies are available on DVD or in your streaming queue — and some are still in theaters (marked with a #). Mario Opinato, TV-MA A trifurcated tale split between the hand’s journey, Naoufel’s pre-accident life as a pizza delivery boy, and his early adolescence, Clapin’s two-dimensional gem is an arresting aesthetic experience, its daring visuals married to a soundscape of buzzing, barking and screeching that lends the action an immersive immediacy. Cambridge Analytica stole the data of 87 million Facebook users and then utilized it to target swing voters with political propaganda on behalf of clients like Brexit and the 2016 Trump campaign. | | | Directors Josh and Benny Safdie’s material operates at a relentless fever pitch, their camera gliding and rotating with the jittery excitement and terror of Ratner, and zooming into characters’ eyes—and observing them at a crane-assisted remove on city streets—with gritty ‘70s-era stylishness. As before, that enclave’s malevolence is personified by Pennywise the Dancing Clown (Bill Skarsgård), an unholy sewer-dwelling circus freak who feasts on fear, and whose hunger for revenge powers the film’s finest set pieces, including a showdown in a hall of mirrors. Déborah François, From crowd-pleasing blockbusters to under-the-radar triumphs, eclectic imports to boundary-pushing epics (we’re looking at you, The Irishman), there’s been something for everyone at the theater – and, also, on the various streaming services that now compete for cinephiles’ attention. Compared to other Marvel movies (ahem, Infinity War), Ant-Man and the Wasp is a breezy, light entry into the Marvel Cinematic Universe that's a refreshing comedic detour in the franchise, with Evangeline Lilly joining the team of pint-sized superheroes as the Wasp. | A detective recruits his Uber driver into an unexpected night of adventure. Pre-production. Stars: Interjecting their verité tale with enveloping dreaminess, Guerra and Gallego capture the insidious ways that greed spreads like a poison, cutting people off from their heritage, their morality, and ultimately, from their loved ones and themselves. The 2020 Movies That Are Streaming Online Early, What Happens If Trump Can't Fulfill His Duties, Dickies Work Pants Are the Brand at Its Best, The Turntable to Buy for Killer Sound and Style, This content is created and maintained by a third party, and imported onto this page to help users provide their email addresses. Director: 104,960 Director: Director: $20.55M, R Omar Sy, Charlie Hunnam, Convinced the three chalk pieces she received from her teacher grant her magical wishes, Estrella tries to survive her harrowing new circumstances on the streets, which are further complicated by two adult thugs intent on reclaiming their stolen property from Shine. Best of Rotten Tomatoes. | Stars: One of Netflix’s recent originals starring Chris Hemsworth shows a hardened mercenary hired to rescue an imprisoned drug lord’s kidnapped son. Esquire participates in various affiliate marketing programs, which means we may get paid commissions on editorially chosen products purchased through our links to retailer sites. Ronnie Lazaro, R Costa's connection to her homeland's bifurcated history (via her revolutionary parents and wealthy grandparents) lends additional urgency to her survey of this tumultuous period of disintegration, in which corporate greed and power turn out to be more influential than the rule of law – or the will of the people. Director: Je-Heon Choi, That spells trouble for Sheila (Marianne Jean-Baptiste), a recent divorcée who discovers that wearing the garb leaves her body with strange burn marks, as well as its subsequent owners Reg (Leo Bill) and Babs (Hayley Squires), who also fall under its dark spell. | Yet despite their familiarity, such building blocks prove the stuff of superior melodrama in the hands of Brazilian-German director Karim Aïnouz, whose adaptation of Martha Batalha’s 2016 novel pays heartbreaking tribute to the strength, solidarity and unjust suffering of two sisters – reckless young Guida (Julia Stockler) and older would-be pianist Euridice (Carol Duarte) – who are torn apart by their callous dad (António Fonseca), Euridice’s chauvinistic spouse (Gregorio), and their patriarchal Brazilian culture. Stars: If you can’t get enough of the mind-bending movie, The Matrix Reloaded and The Matrix Revolution are available on Netflix as well. Kiu Wai Miu, 120 min Joel Kinnaman, In a Mexican city rendered a ghost town by violent drug gangs, young Estrella (Paola Lara) strikes up a prickly alliance with a group of orphaned boys – led by Shine (Juan Ramón López) – after her mother goes missing. When two detectives are fed up with the system that's not working, they seek the help of a martial arts master to bring Justice to the Streets. Truong Ngoc Anh, Stuart F. Wilson, Frank Grillo, Epitomized by the yin-yang symbol on which many battles are fought, dualities (masculine and feminine, light and dark, real and imitation, mortal and ghostly) are rampant throughout. | Borders to cross and barriers impeding passage are omnipresent in Transit, which like so much of writer/director Christian Petzold’s transition-fixated oeuvre, is a forlorn romantic reverie about identity, regret, trauma and rebirth. | Indebted, spiritually if not narratively, to Andrei Tarkovsky’s Solaris, Denis’ story concerns a space ship on which a doctor (Juliette Binoche) attempts to successfully conceive children through experiments with convicts – including Monte (Robert Pattinson), who’s introduced caring for an infant, alone, in what’s soon exposed as a flash-forward – as they all hurtle toward a black hole whose energy they seek to harness. For all its operatic echoes of 2001, Apocalypse Now and The Tree of Life, James Gray’s Ad Astra is a distinctive vision of the grand abyss lying beyond our planet, as well as an affecting investigation into man’s longing for communion. Ember Burns, R Keanu Reeves, Now adults played by the likes of James McAvoy, Jessica Chastain and Bill Hader, The Losers Club returns to Derry, Maine to again confront unspeakable evil in It: Chapter 2, Andres Muschietti’s sprawling, character-driven companion piece to his 2017 blockbuster. $67.16M, R Action, Crime, Drama. 75,620 Director: Bazawule’s slow-motion imagery is mesmerizing, highlighted by the inverted sight of Esi being chased by a humanoid raven astride a horse, and a closing shot of an man with an IV stand meeting a long-lost love in the middle of architectural ruins. Awash in talk about movies and moviemaking, Hogg’s feature is elevated by Byrne’s star-making turn as a young woman caught between genuine love, her recognition that her relationship is perhaps doomed to fail, and her desire to find her voice – personally and artistically – on her own. For skateboarding Jimmie (Jimmie Fails), nothing would be finer than reclaiming his childhood residence, a gorgeous Victorian in the Fillmore District that he proudly proclaims was built by his grandfather. Stars: In a Europe that simultaneously resembles today and 1940, German expat Georg (Franz Rogowski) endeavors to escape Paris before the arrival of encroaching Nazi-esque fascists. Mangold’s story is about the might of American ingenuity and daring (versus sleek Italian arrogance), and a celebration of non-conformity in the face of (unbeatable) corporate pressure. Robert Taylor, PG-13 | Samuel L. Jackson, Flip-flopping backward and forward in time to create all sorts of harmonious narrative (and formal) echoes, and set to Alexandre Desplat’s lush, vibrant score (the year’s finest), Gerwig infuses her celebrated story with a feminist spirit that flows naturally from its tender depiction of its heroines’ intertwined, universal plights. Peter Greene, | $80.00M, PG-13 I Lost My Body has a horror movie conceit, but the true terror of Jérémy Clapin’s ingenious animated film is of an existential nature. Oscar Isaac, Newcomers Garnett and Fox are great, but the film is ultimately all Sandler, whose embodiment of sleazy, selfish, pleasure-seeking Long Island greed and desperation is outright exhilarating. Tarzan (1999) Action, Sci-Fi, Thriller. From Super Mario Bros., new-age cultists, pirates and bomb-shelter tombs, to masturbatory porn patterns, dog killers, comic books (Spider-Man, wink wink) and song lyrics scribbled on pizza boxes, secret world-governing ciphers are ubiquitous. Director: | Regardless, it’s still an escalating freak-out scored to thumping electronica and populated by a raft of potential monsters. Below are 20 action films that are sure to spice up any tired movie night at home.

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